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Let’s Map Open Correspondence Data!

May 16, 2013 in Digital Humanities, Featured, Open Humanities

At the Open Knowledge Foundation we seek to empower people to use open data and open content in ways that improve the world.

In part this is about the provision of tools, such as our world-renowned CKAN open data portal, but it’s also about bringing people together who are passionate about making a change and giving them a space whether that’s online or face-to-face to wrangle open data, write code and take action together.

At the recent Open Interests hack participants developed a suite of apps that help us understand lobbying in the EU and how money is spent. A couple of weeks ago Open Data Maker Night in London people wrangled data from local authority websites to find out which companies receives the lion’s share of the Greater London’s Authorities resources. Across our various Working Group mailing lists people from all over the world are debating, sharing data and experimenting with code in a huge variety of domains from open science to open government data.

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At bottom this is about bringing people with bright ideas coming together to collaborate around open content and open data to build things that have transformative potential.

The Open Humanities Hangout

Over the past few months a group of people interested in open culture, including myself, have been getting together on Google Hangout in order to build stuff with the vast amount of open cultural data and content that’s out there.

In the cultural sphere much of the transformative potential of open lies in widening access to our treasured cultural heritage whether that’s classic literary texts or the paintings of the great masters. But as ever it’s not only about opening up huge amounts of data and content, there’s already a hell of a lot of that already on the Internet Archive and Wikimedia Commons, this is also about empowering people to actually use this material in ways that they deem valuable.

So on the Open Humanities Hangout we’ve tried to do things that address both these challenges:

In order to address the problem of access we’ve held hangouts on how to run a book scanning workshop and how share the works we’ve digitised online. On another occasion, we collectively reflected on how to evangelise about opening up cultural resources and distilled the results in a set of principles which we then shared and discussed on a public mailing list.

In terms of building stuff to help re-use, we’ve built an app that helps you to get to know Shakespeare better called Bardomatic. We’ve hacked on an annotation tool for public domain texts called TEXTUS trying to make it easier to use and deploy on Word Press. We’ve created interactive timelines of the great Western medieval philosophers helping to improve and de-bug the Timeliner tool in the process.

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The Challenge: Mapping Networks of Correspondence

I want more people to join the Open Humanities hangouts – more Java Script coders, more designers, more literature students, more bloggers… anyone who loves the humanities and wants to see the great works of our past accessible and re-usable by everyone regardless of their background or location.

I’m putting forward a challenge for our next set of monthly Hangouts based on some of the great work some of the Open Humanities Working Group members have been doing around open correspondence data and open booking scanning.

I’m challenging the Open Humanities Hangout crew to construct a workflow that will enable *anyone to turn a published set of letters and turn it into a visualisation of a network of correspondence.*

One of the great success stories of the so-called Digital Humanities is the wonderful Mapping the Republic of Letters project, a collaboration between Stanford and Oxford Universities that visualises the networks of correspondence of early modern scholars. The beautiful and insightful visualisations that have been created in the process have captured the imaginations of technologists and humanists world wide.

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I want to see a million Mapping the Republic of Letters project. I want it to be as easy as possible to map the correspondence of historial figures, so that anyone can do this. This includes the first year school students wanting some beautiful images for their coursework and the scholar who will use much richer data to give a more through, in-depth and academic visual story for a research paper. I want the underlying tools to be open source and well documented and perhaps, most importantly, I want the underlying data, that collection of metadata about who sent what when to be open for everyone to use and add to.

This effort doesn’t require the existence of a huge repository of data about letters that we tap into (although this might merge in the process). This is about small sets of open data, sourced and formatted in appropriate ways by passionate groups of people all around the world that can be combined and connected easily using open source web-based components.

How do we begin?

To my eyes, this effort will involve the documentation of at least 4 steps:

  1. Scan in a published collection of letters
  2. Turn this scans intro structured data that contains relevant information on respondent, date, location
  3. Geo-code all those locations
  4. Visualise the results on a map

We’ve already made some progress on steps 1. – 2. and there’s a wealth of information already available on how to do your own scanning and OCRing including manuals on how to build your own scanner. For 3. – 4. there’s already some brilliant information over on the School of Data. However, I want to see this information synthesised into a single point — so any student, teacher or researcher can get all the information on how to go from that collected volume of letters of so-and-so on their shelf to a beautiful visualisation.

What might result if we’re successful?

Well for one, I hope that a beautiful and insightful set of visualisations might emerge about the correspondence of a number of important figures all over the web. But perhaps a longer term goal is to stimulate the creation of databases of correspondence that are open to everyone to use and add to. To begin with we’ll be constrained to the published volumes of correspondence in print, but if we get enough people contributing we can re-combine these published volumes in all sorts of interesting ways filling in gaps and ultimately creating datasets that might enable us to map whole networks of correspondence for a given period.

Get involved

So the challenge is on. The next Open Humanities Hangout will take place at 5pm BST on Tuesday May 28th. If you’re thinking of joining ping me a quick message on sam.leon@okfn.org!

Open Humanities Award Winners Announced

May 8, 2013 in Featured, News

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Earlier this year, as part of the DM2E project, we put out a call to all humanities academics and technologists to see if they could come up with innovative ideas for small technology projects that would further humanities research by using open content, open data and/or open source.

We’re very pleased to announce that the winners are Dr Bernhard Haslhofer (University of Vienna) and Dr Robyn Adams (Centre for Editing Lives and Letters, University College London). Both winners will receive financial support to help them undertake the work they proposed and will be blogging about the progress of their project. You can follow their progress via the DM2E blog.


Award 1: Semantic tagging for old maps… and other things

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The first Award goes to Dr Bernhard Haslhofer of Vienna University. His project will involve building on an open source web application he has been working on called Maphub.

Dr Haslhofer told us a little bit about the inspiration for his project:

“People love old maps” is a statement that we heard a lot from curators in libraries. This combined with the assumption that many people also have knowledge to share or stories to tell about historical maps, was our motivation to build Maphub.

In essence Maphub is an open source Web application that, first of all, pulls out digitized historical maps from closed environments, adds zooming functionality, and assigns Web URIs so that people can talk about them online. It also supports two main use cases:

(i) georeferencing maps by linking points on the map to Geonames locations; (ii) commenting on maps or map regions by creating annotations. While users are entering their comments, Maphub analyzes the entered text on the fly and suggests so-called semantic tags, which the user accepts or rejects.

Semantic tags appear like “normal” tags on the user interface, but are in fact links to DBpedia resources. In that way, the user links her annotations and therefore also the underlying historical map with resources from two open data sources. Besides consuming open data during the annotation authoring process, Maphub also contributes collected knowledge back as open data by exposing all annotations following the W3C Open Annotation specification. In that way, Maphub supports people in a loop of using and producing open data in the context of historical maps.

Dr Haslhofer looks forward to seeing how collaborations will blossom between these various web annotation systems:

We believe that people also love other things on the Web and that Web annotation tools should support semantic tagging as well. Therefore, we will make it available as a plugin for Annotorious. Annotorious is a JavaScript image annotation library that can be used in any Website, and is also compatible with the Open Knowledge’s Foundations’s Annotator.

Annotorious and Maphub have common origins and the Open Humanities will support us in unifing parallel development streams into a single, reusable annotation tool that works for digitized maps but also for other media. We will also conduct another user study to inform the design of that function for other application contexts.


Award 2: Joined Up Early Modern Diplomacy: Linked Data from the Correspondence of Thomas Bodley

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The second award goes to Dr Robyn Adams of the Centre for Editing Lives and Letters, University College London. The project will re-purpose the open resource that Dr Adams has been building with a team of others: the Diplomatic Correspondence of Thomas Bodley.

The project will use ‘additional’ information that was encoded into the digitisation of early modern letters that took place at the Centre for Editing Lives and Letters. In the initial incarnation of the project this data which included biographical and geographical information contained within letters was not used (although it was encoded).

Dr Adams told us a little bit about what she plans on doing with the money from the Awards:

With the prize funding from the Open Humanities Awards, we propose to mine the data that was generated but not fully used in the first phase of the project. This data is a rich source of biographical and geographical information, the visualization of which evokes the complex and diverse texture of the late sixteenth-century European diplomatic and military landscape. Bodley’s position in The Hague as the only English representative on the Dutch Council of State put him at the centre of a heterogeneous nexus of correspondents a time long before the Republic of Letters burgeoned in the subsequent century.

The project will interrogate three data fields within the larger data set of Bodley’s diplomatic correspondence in order to generate visualizations; the network of correspondents and recipients, and the people and places mentioned within the letters. These visualizations will be incorporated into the project website, where they will enhance and extend the knowledge derived from the existing corpus of correspondence. The visualizations, which will have scope to be playful while drawn from scrupulous scholarship, will offer an alternative pathway for scholars and the interested public to understand that in this period especially, the political, university and kinship networks were fundamental to advancement and prosperity.

“In mapping the relational activity between data sets,” Dr Adams went on, “I hope to further illuminate and reanimate Bodley’s position within the Elizabethan compass. Furthermore, I hope to demonstrate that fruitful routes of enquiry can result if scholars commit to going the extra mile to encode and record data in their research that may not have immediate relevance to their own studies.”


We offer our heartiest congratulations to the both Dr Haslhofer and Dr Adams both of whom will be presenting their work at the forthcoming Web as Literature conference at the British Library and this year’s OKCon in Geneva. Follow the progress of the Awards recipients via the DM2E project website.

OpenGLAM Partners in First Open Data Fellowship for Cultural Institutions

April 24, 2013 in Featured, News

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Exciting news: The Metropolitan New York Library Council in collaboration with OpenGLAM and Wikimedia NYC have today unveiled the first ever Open Data Fellowship for cultural heritage institutions starting this summer. The paid 8-week placement will combine two roles:

  • Facilitator for institutions interested in pursuing broader open data initiatives
  • Wikipedian-in-Residence for member institutions in the METRO consortium

Position Details

Open Cultural Data role

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  • Assist membership and collaboration with existing open cultural data initiatives from around the OpenGLAM Network
  • Research and use open source tools for working with open cultural data for possible uptake by the library
  • Develop guides and manuals for GLAMS for working opening up data
  • Contribute to an emerging multi-institutional linked open data project as needed

Wikipedian-in-Residence role

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  • Assist METRO membership in their understanding and use of Wikipedia
  • Provide training and guidance on Wikipedia/Wikimedia use and WikiProjects
  • Assist membership with releasing collection content into Wikimedia (or other) Commons
  • Organize and host at least one Wikipedia-related special event or workshop

Fellow is expected to document their experience through METRO, OpenGLAM, GLAM-Wiki, or other community channels.

Position Requirements

  • Must have experience creating or editing Wikipedia content, contributing to Wikimedia (or other) Commons, and/or using other open data platforms
  • Student (graduate or undergrad) preferred, but any qualified candidates will be considered
  • Experience working in GLAMs or other cultural heritage institutions is preferred
  • Some experience in user training or creating instructional resources is preferred
  • Must be a US citizen

About the Position

  • Stipend: $5000 for a full-time, 8-week term working a 35-hour week
  • Position Term: 8 weeks, start and end date flexible, but primarily during summer
  • Located: At METRO (57 E. 11th St. NYC); some possible work at member organizations (within New York City’s five boroughs and Westchester county)

How to Apply

Submit a cover letter (including your Wikipedia experience, username, and other skills you bring to the position) along with your resume and two references along with their contact information. Email the above in PDF format to info@metro.org. Applications accepted through May 15, 2013. Questions may be directed to Jefferson Bailey, jbailey@metro.org.

The Internet Archive Joins the OpenGLAM Network

April 4, 2013 in Featured, News

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We are very pleased to announce that the Internet Archive has joined the OpenGLAM Network.

The Internet Archive has been one of the leading lights in the movement to get more freely available copies of public domain works online. It has also been pioneering the attempt to archive the internet, keeping a record of millions of pages for future generations.

We’re looking forward to collaborating with the Internet Archive around the development of our tools for digital scholarship and crowdsourced data enrichment as well as working with them to surface more of the wonderful works found in their vast libraries through projects like The Public Domain Review.

Alexis Rossis, Web Collections Manager at the Internet Archive, said:

The Internet Archive is looking forward to working with the Open Knowledge Foundation’s OpenGLAM initiative to help realise the shared goal of a world in which all public domain artefacts have a digital copy that is freely available to everyone.

The Internet Archive joins a host of other organisations including Wikimedia, Creative Commons, Europeana who we are collaborating with to help our cultural institutions reach their potential in the digital age.

If you’re an organisation working with cultural institutions and helping them to open up their holdings online and would like to join out Network email openglam@okfn.org.

OpenGLAM at SXSWi

March 6, 2013 in Featured, News

SXSWi

That time of year is upon us again where our social media channels get full up with chatter about SXSWi. This year you’ll also be hearing a lot from our camp as we prepare for our slot on the Culture Hack panel.

I will be speaking alongside colleagues Antoine Isaac, Scientific Coordinator for Europeana and Emily Gore, Director of Content at the Digital Public Library of America and Rachel Frick, Program Director at the CLIR Digital Library Federation about the sate of openness in the cultural heritage domain and where we go to next in order to build a vibrant cultural commons free for everyone to re-use and enjoy.

As we’ve recently kicked-off OpenGLAM activity in the US, I’m very keen to talk to people in the States already working in this space and those who just want to get involved and help us build the tools and communities that will make a difference.

On the panel, we’ll be looking at questions such as:

  • How are cultural heritage institutions dealing with the questions of copyright and open data licensing
  • What are people building with the content, data, and metadata that cultural heritage institutions are publishing
  • Is this shift in engaging the public in institutional collections leading to new revenue opportunities either for the institutions or the general economy?
  • How can my institution make our collections available as Open Data, who can we work with, and how do we find help?
  • If I want to build a new app or project with data or content from my local library or museum, what’s the best way to approach them and encourage them to let me do it?

All-in-all, it’s set to be a fascinating panel, do make it down if you can and grab me to say hi. I’ll be Tweeting from @OpenGLAM on the day, so do get in touch via that handle.

More info on the panel itself can be found here.

Open Humanities Awards: Under 10 Days Left to Apply!

March 4, 2013 in Digital Humanities, Featured

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A couple of weeks ago we announced the Open Humanities Awards a fantastic new initiative to support innovative projects that use open data, open content or open source to further teaching and research in the humanities.

There are €15,000 of prizes on offer for 3-5 projects lasting up to 6 months. The winners will be given the opportunity to present their work at the world’s largest Open Knowledge event, OKFestival.

The deadline for applications is 13th March so there is less than 10 days to go before we start judging the applications. We want to support a whole variety of projects that support humanities research and use the open web. So whether you’re interested in patterns of allusion in Aristotle, networks of correspondence in the Jewish Enlightenment or digitising public domain editions of Dante do think about applying!

Go to the Awards website to apply and for any queries email me on sam.leon@okfn.org.

Bardomatic: Using Open Shakespeare to Create Games

February 7, 2013 in CultureLabs, Featured

At the Open Knowledge Foundation we believe there is a great deal of unrealised potential in the amount of openly licensed digitised cultural heritage material available on the web for creating educational resources.

It has been great to see the Open Humanities Working Group addressing this challenge. Over the last three weeks they have been building a fantastic online app called Bardomatic. Based on the CrowdCrafting platform, Bardomatic tests your knowledge of Shakespeare’s plays using openly licensed content derived from Open Shakespeare.

You are given a short quote from one of the Bard’s famous works and asked to identify the play it comes from:

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You are then told if your answer is correct:

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It was hacked together by volunteers from our Open Humanities Working group on their weekly Google+ Hangout and shows the kind of creativity that can be unleashed once cultural content is released under an open license (not to mention the fun that can be had in the making!).

The Open Humanities Working group will now be developing a scoreboard for the game and will continue to add in sections of text for consumption by the app. If you’d like to join the hangout, sign-up to the Open Humanities mailing list where the Hangout links are circulated every Tuesday at 5pm GMT.

PLAY BARDOMATIC

Importance of Open Content for GLAMs Highlighted by Horizon Report 2012

January 16, 2013 in Featured, News

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The New Media Consortium (NMC) Horizon Reports provide insight into the technology trends that are most likely to have significant impact over the next 5 years. Put together by a distinguished, global advisory board of experts from a variety of sectors and with over one million downloads downloads in the last ten years, it has become an invaluable resource for those wanting to know what the next big thing is going to be.

The 2012 Museum Edition has highlighted the growing importance of Open Content cultural heritage sector, focussing on the ways in which Open Content can impact exhibitions, collections and marketing within GLAMs (galleries, libraries, archives and museums) as well as the interpretation of cultural artefacts themselves:

For museums, open content is a way collections and exhibition materials representing the world’s natural and cultural common wealth can be more easily shared. of content.

It is now the mark — and social responsibility — of world-class institutions to develop and share free cultural and educational resources. Potential abounds for a museum’s open content to be dispersed, repurposed, and curated all over the web.

The report also clearly marks out the way in which the growth of open content on the web is changing our fundamental attitudes to education and the function of educational institutions:

The movement toward open content reflects a growing shift in the way scholars in many parts of the world are conceptualizing education to a view that is more about the process of learning than the information conveyed in courses. Information is everywhere; the challenge is to make effective use of it. Open content embraces not only the sharing of information, but the sharing of pedagogies and experiences as well.

The report discusses the way in which open content is challenging traditional modes of educational and academic publishing and offering a much more cost-effective alternative:

Part of the appeal of open content is that it is also a response to both the rising costs of traditionally published resources and the lack of educational resources in some regions. It presents a cost-effective alternative to print catalogs and other materials.

Touching on the issue of how cultural heritage institutions are having to re-think the way they license material and share it with the public, the report highlights the opportunity that exists for cultural heritage instituions to be on the forefront of the open culture movement:

New intellectual property licensing options have resulted in some museums rethinking the dissemination of content. Many in museums believe that they should be at the forefront of open content modeling — illustrating how best to share content, establish standards, and take part in the global conversations about policy, the Creative Commons, and open culture.

To read more about the report and the other key tech trends that will be influencing the GLAM sector in the coming years visit the NMC site.

The Digital Public Library of America moving forward

November 5, 2012 in Featured, Guest Blog Post

The following post is by Kenny Whitebloom from the Digital Public Library of America Secretariat.

DPLA

The Digital Public Library of America (DPLA) is an ambitious project to build a national digital library platform for the United States that will make the cultural and scientific record available, free to all Americans. Hosted by the Berkman Center for Internet & Society at Harvard University, the DPLA is an international community of over 1,200 volunteers and participants from public and research libraries, academia, all levels of government, publishing, cultural organizations, the creative community, and private industry devoted to building a free, open, and growing national resource. Since October 2010, the DPLA has been led by a 16-member Steering Committee composed of leaders from myriad professional backgrounds. This group recently transitioned to an inaugural five-member Board of Directors that will build upon what the Steering Committee has already accomplished.

Supporting all of this has been the DPLA Secretariat, a small core team located at the Berkman Center that helps set priorities, drive agendas, and organize engagements.

The sections below outline some of the key developments in the DPLA planning initiative. For more information on the Digital Public Library of America, including ways in which you can participate, please visit http://dp.la.

Governance

Over the past year, the Secretariat, the Steering Committee, and the Board of Directors have made concrete steps to establish the DPLA as an independent organization, and in October 2012 the DPLA was officially incorporated. In August 2012, the Steering Committee formed a small Nominating Committee to propose a slate of candidates for an inaugural Board of Directors to lead the emergent organization. The Steering Committee formally transitioned over to the five-member Board of Directors in October 2012 at the DPLA’s most recent major public event, DPLA Midwest, held at the Chicago Public Library in Chicago, IL.

The Board of Directors and Secretariat are now turning their attention toward recruiting an Executive Director to spearhead the critical transition from planning initiative to independent organization. In the spirit of the project’s commitment to openness, we have created a form on the DPLA website for members of the public to nominate themselves or others for this important role.

Content

In the fall of 2012, the DPLA received funding from the National Endowment for the Humanities, the Institute for Museum and Library Services, and the Knight Foundation to support our Digital Hubs Pilot Project. This funding enabled us to hire the first employee of DPLA, Inc.: Emily Gore, Director for Content. In this role, Gore is spearheading the development of the DPLA’s content infrastructure, including implementation of state and regional digital service pilot projects as part of the Digital Hubs Pilot Project. Under the Hubs Pilot, the DPLA plans to connect existing state infrastructure to create a national system of state (or in some cases, regional) service hubs, each offering a full menu of standardized digital services to local institutions, including digitization and metadata services, and serving as an on-ramp for all by aggregating metadata and data from local institutions to feed into the DPLA network. Over forty state digital libraries already exist in the United States, along with several regional digital libraries that span several states. In the DPLA architecture, states will aggregate data from their local institutions, and DPLA will aggregate data from states and regions, pooling it into one large discovery database.

The service hubs identified for the pilot are:

  • Mountain West Digital Library (Utah, Nevada and Arizona)
  • Digital Commonwealth (Massachusetts)
  • Digital Library of Georgia
  • Kentucky Digital Library
  • Minnesota Digital Library
  • South Carolina Digital Library

In addition to these service hubs, organizations with existing digital collections above a certain size threshold that will make their collections available via the DPLA will be designated as content hubs. These content hubs hold enough content to warrant a one-to-one relationship with the DPLA aggregator systems and will offer their data for direct harvest. We have identified the National Archives and Records Administration, the Smithsonian Institute, and Harvard University as some of the first potential content hubs in the Digital Hubs Pilot Project.

For a video overview of the Digital Hubs Pilot Project, I would encourage you to check out Gore’s overview at the 2012 DPLA Midwest plenary:

Technical Development

The technical development of the Digital Public Library of America is being conducted in a series of stages. The first stage (December 2011-April 2012) involved the initial development of a back-end metadata platform. This platform consists of a set of services to gather metadata about content and collections made accessible through the DPLA, enabling developers to use this metadata to build new applications and integrate it into existing sites and services. The platform provides information and services openly and to all without restriction by way of open source code, as per the DPLA’s principles for technical development.

The next stage in the DPLA’s technical development, in which the project now finds itself, involves integrating continued development of the back-end platform, complete with open APIs, with new work on a prototype front end. As of September 2012, the Secretariat and Technical Development team have chosen the Boston-based design firm iFactory to design and develop this front-end website. It’s important to note that this front-end will serve as a gesture toward the possibilities of a fully built-out DPLA, providing but one interface for users to interact with the millions of records contained in the DPLA platform.

Development of the back-end platform—conducted publicly, with all code published on GitHub under a GNU Affero General Public License—continues in such a way as to enable the Beta Sprinters, and others who may come along, to develop additional user interfaces and means of using the data and metadata in the DPLA over time, which continues to be a key design principle for the project overall.

Hackathons

A hackathon held in April 2012 brought together approximately twenty librarians, developers, and hackers to begin testing the prototype DPLA platform and building apps on top of it. On November 8-9, 2012, the DPLA will convene its first “Appfest” Hackathon at the Chattanooga Public Library in Chattanooga, TN. The Appfest is an informal, open call for both ideas and functional examples of creative and engaging ways to use the content and metadata in the DPLA back-end platform. We’re looking for web and mobile apps, data visualization hacks, dashboard widgets that might spice up an end-user’s homepage, or a medley of all of these. There are no strict boundaries on the types of submissions accepted, except that they be open source. You can check out some of the apps that might be built at the upcoming hackathon on the Appfest wiki page.

Large public events

The DPLA recently held DPLA Midwest (October 11-12, 2012), our third major public event, at the Chicago Public Library. The event assembled a wide range of stakeholders—librarians, technologists, creators, students, government leaders, and others—in a broad, open forum to facilitate innovation, collaboration, and connections across the DPLA effort.

On October 11, the six DPLA Workstreams and the Steering Committee, along with members of the public, met in a series of breakout sessions and working groups to discuss the development of both the DPLA platform and the front end user interface, the establishment of the DPLA as an independent non-profit organization, and the launch of the DPLA’s Digital Hubs Pilot Project. On October 12, DPLA Midwest introduced the new DPLA Board of Directors, showcased the first steps toward the development of the online DPLA prototype, featured comments from participants in the Digital Hubs Pilot Project, and continued to provide opportunities for public participation in the work of the DPLA.

For more information about DPLA Midwest, including video and photographs from the entire event, please visit http://dp.la/get-involved/events/dplamidwest/.

The DPLA remains an extremely ambitious project, and we encourage anyone with an interest in open knowledge and the democratization of information to participate in one form or another. If you have any questions about the project or ways to get involved, please feel free to email me at kwhitebloom[at]cyber.law.harvard.edu.

Videos from “Opening Up Metadata: Challenges, Standards and Tools”

July 9, 2012 in Events/Workshops

We now have the videos up from the seminar/workshop we ran back in the middle of June. Thank you Kirsty Pitkin for putting them together:

APIs and Linked Data by Adrian Stevenson

Preparing your data for Hackathon by Harry Harrold

The Problem of Diverse Metadata Standards and the Europeana Data Model by Steffen Hennicke

Opening up the Cambridge University Library by Ed Chamberlain

Opening up the British Library by Neil Wilson

Open Cultural Heritage Case Studies by Owen Stephens

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